"Michael," said Karl. "There's a really big bear in the backyard." This is how three children meet Stillwater, a giant panda who moves into the neighborhood and tells amazing tales. To Addie he tells a story about the value of material goods. To Michael he pushes the boundaries of good and bad. And to Karl he demonstrates what it means to hold on to frustration. With gracef...(展开全部)

"Michael," said Karl. "There's a really big bear in the backyard." This is how three children meet Stillwater, a giant panda who moves into the neighborhood and tells amazing tales. To Addy he tells a story about the value of material goods. To Michael he pushes the boundaries of good and bad. And to Karl he demonstrates what it means to hold on to frustration. With graceful ar...(展开全部)

"Michael," said Karl. "There's a really big bear in the backyard." This is how three children meet Stillwater, a giant panda who moves into the neighborhood and tells amazing tales. To Addie he tells a story about the value of material goods. To Michael he pushes the boundaries of good and bad. And to Karl he demonstrates what it means to hold on to frustration. With gracef...(展开全部)

角田光代 寻找幸福的现代女作家。 角田光代自1990年以出道处女作《寻找幸福的游戏》获得日本海燕新人文学奖，之后诸多作品也获得颇多文学奖项，2004年则以《对岸的她》摘下直木奖桂冠。评选委员渡边淳一认为角田光代的作品特色是：“真实写出现代女性的切身问题，将她们狡猾、温柔、友情等感受性融入日常生活中，化为杰出的作品，是过去所未有的现代女性小说。”2005年荣获直木赏（日本大众文学最高奖项），曾三度入围芥川赏、三度入围直木赏。与吉本芭娜娜、江国香织同被誉为当今日本文坛三大重要女作家。

Archives bring to mind rooms filled with old papers and dusty artifacts. But for scientists, the detritus of the past can be a treasure trove of material vital to present and future research: fossils collected by geologists; data banks assembled by geneticists; weather diaries trawled by climate scientists; libraries visited by historians. These are the vital collections, assem...(展开全部)

Archives bring to mind rooms filled with old papers and dusty artifacts. But for scientists, the detritus of the past can be a treasure trove of material vital to present and future research: fossils collected by geologists; data banks assembled by geneticists; case histories published in medical journals; weather diaries and data silos trawled by climate scientists; libraries ...(展开全部)

金·阿德尔曼（Kim Adelman），独立电影制片人，导演，任教于美国加利福尼亚大学洛杉矶分校（UCLA），教授“短片制作与营销”和“低成本电影制作”两门课程，并在纽约、加拿大、新西兰等地开设短片创作工作坊，颇受学生欢迎。她推动了美国福克斯电影频道短片项目的成立，并为该项目担任制片。她制片的19部短片在150多个电影节中拿到了30多个奖项，其中连续四年都在圣丹斯电影节有所斩获。金曾担任多个独立电影节的策展人，同时还是各类独立电影相关网站（indie WIRE等）的专栏作家。她深谙独立短片的制作与发行，电影节的运作与推广，另著有《小妞电影终极指南》。 叶俊策，导演、编剧、电影特效讲师，迷影爱好者，曾翻译过一千多部电影字幕，在北京电影学院和北京大学讲授“特效与动画”课程。曾参与多部电影的前后期制作，如《意外的恋爱时光》分镜头设计、动画电影《翼龙兄弟》前...(展开全部)

本书作者是一对生活在纽约的充满创意的夫妇——大卫·冯和叶娜·金，分别为服装设计师与摄影师，在他们的打造下，英俊的柴犬Bodhi已经成为红遍全球的时尚明星，登上早安美国、安德森·库珀现场、E!新闻、时代周刊、商业周刊、GQ等知名媒体。

Frank Frazetta has excelled in a wide variety of artistic formats, from fine art to paperback covers, comic books to record albums. His atmospheric worlds of sinewy superheroes, seductive sirens, and vivid monsters are wonderfully detailed, fully realized, and unmistakably his. This book gives fans an intimate glimpse of Frazetta's creative process by showcasing not only black-...(展开全部)

The Joker is dead. Batman is behind bars. In a new age of villains, only Harley can save Gotham. Two years after Azrael wiped out Gotham's deadliest villains in Batman: Curse of the White Knight, the stage is set for a new criminal uprising. From the shadows, a visionary mastermind known as the Producer is assembling a colorful roster of new rogues—headlined by his alluring rec...(展开全部)